Rigiclee - Paper has a texture (or tooth); canvas a weave.

Rigiclee is a smooth surface, free of any pattern, which

allows you to see colors, textures and details with a clarity

never before possible in a fine art reproduction. Unlike

canvases, which must be stretched, and paper prints, which

must be protected with glass, a Rigiclee is ready to frame

and enjoy. Nothing comes between you and your art.

Rigiclees are borderless; dimensions indicate image size.

Using the same inks that revolutionized the digital printing

industry, a Rigiclee is durable and fade resistant, requiring

only occasional dusting with a clean, dry cloth.

Scratchboard ­ Cardboard coated with chalk forms a

smooth, glossy surface and is used as a ground for drawing

or painting in ink. Parts of the image may then be scratched

off with a pointed tool to create a variety of effects.

Sculpture - A three-dimensional form modeled, carved, or

assembled.

Secondary Market Value - The value of a print,

determined by supply and demand, after all copies have

been sold at original issue price. (See Issue Price)

Self-Published - An artist who publishes and markets his

or her own prints, often with the help of family. Some self-

published artists also work with distributors.

Serigraph ­ A print created by using the process of using

stencils made on tightly stretched silk. Ink is forced through

the silk and onto paper to make copies of the image. The

process frequently is called "Silkscreening" and the prints are

called "serigraphs" or "silkscreens." Because each color

requires a separate screen and a separate step in the

printing process, serigraphs often come in small editions.

Serilith - As the name suggests, the combination of

serigraphy and lithography.